Bella Belyakova

Super charming and super cute, Chicken Noodle Soup is the perfect handwritten font that gives off a casual, happy-go-lucky vibe. So fun! This font is great for birthday party invitations, social media graphics, posters, and anything else that would benefit from this font's uneven baseline and legible handwritten look that's great for both headline and body copy.

Includes:

- All uppercase
- All lowercase
- Numerals and punctuation
- European language characters

Enjoy!

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For more of my work, check out my website: http://www.wedgienet.net

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Sagitty List handwritten font with new style, this font will perfect for many different project ex: quotes, logo, blog header, poster, banding, fashion, apparel, letter, invitation, stationery, etc...

FEATURES:

Sagitty List (OTF & TTF)

Thanks for looking :)

-But first, let me take a Selfie!- said that girl of the song and almost all of you at least once this year.

While some terms and actions get trendy, some font styles do it too. It wouldn't be crazy to combine these worlds, in fact it happens often.

Selfie is a connected sans serif based in vintage signage scripts seen in Galerías of Buenos Aires. These places are, in general, very small shopping centres which pedestrians sometimes use as shortcuts to get to other parts of the city.

Their dark corridors take you back in time, and all of a sudden you are surrounded by cassettes, piercings, and old fashioned cloth. For some reason, all these shops use monolined geometric scripts. Surely, neon strings are easier to manipulate when letterforms have simple shapes.

My very first aim with Selfie was to make a font that would serve as a company to those self-shot pictures that have become so popular nowadays.

However, the font turned into something more interesting: I realised it had enough potential to stand-alone.

Selfie proves that geometry itself can be really attractive. In this font, elegance is not achieved with the already-known contrast between thicks and thins of calligraphy, but with the purity of form.

Its curves were based in perfectly shaped circles which made the font easy to be used at different angles (some posters show it at a 24.7º angle) without having problems/deformities.

In addition to its nice performance when used over photographs, the font can be a good option for packaging and wedding invitations.

Selfie is part of the "Favorite Typefaces of the Year" list by Typographica.com (2015) :)

TIPS

Adding some lights/shadows between letters will for sure catch the eye of the viewer: Words will look as if they were made with tape/strings; so trendy nowadays.

Try using Selfie at a 24.7º angle so that the slanted strokes become perfectly vertical.

Having the decorative ligatures feature (dlig) activated is a good option to see letters dance.

TECHNICAL

It is absolutely recommended to use this font with the standard ligatures feature (liga) activated. It makes letters ligate perfectly and also improves the space between words.

Preta, portuguese for a very pure kind of black, has its name very related to its concept: I wanted to make the fattest/darkest script ever.

People who follow my work may notice its forms are very related to works of my past (1) but this time the challenge was to be very cautious with the white spaces between letters. Not only I followed some rules and ductus of the copperplate style of calligraphy but also I took a lot of inspiration in posters of the early Art Nouveau (specially in Alfred Roller of the Vienna Secession) where letters forms looked like black squares if not looked from a close distance. With Preta, I wanted to achieve that same idea of “darkness” and thanks to the always welcomed question -what if?- the font grew a lot.

The result is a very fat font, that looks delicious. Due to possible customer needs, I designed Preta Small, so it can be used in smaller sizes.

Preta Ao Sol (which literally means under the sun!) is a style with those lovely tiny details to give the sensation of bright.

Preta Ao Sol Solo was made to be used as a layered font with Preta.

Finally, Preta Capitals serves as a company for Preta.

Hope you enjoy the font as much as I did when designing it: The fact that it’s full of alternates, swashes, ligatures and swirls makes it really pleasurable at the moment of using it.

Give it a try and dance with Preta!

TIPS

For better results, use Preta with the ‘standard ligatures’ feature activated.

Who haven't heard the phrase that ‘any past time was better’?. Although I sometimes find this phrase a little too pessimistic (because I try to think that the best is yet to come), it may be true regarding my passion, typography. I'm too young (29) unfortunately, and this means I did not have the pleasure of being contemporary with maybe the man who has influenced my work the most (1). The man that showed that letters are more than just letters to be read. Herb Lubalin (1918-1981), also called sometimes as ‘the rule basher’ (2), smashed the taboos and sacred rules of type design and gave it personality. He rejected the functionalist philosophy of europeans in favor of an eclectic and exuberant style. To him, letters were not merely vessels of form, they were objects of meaning. (3). Nowadays, when looking at his portfolio, who dares to deny that the term ‘typography’ and ‘beauty’ may go hand-in-hand without any problem? Ed Benguiat, one of Herb’s partners, still likes making jokes with the phrase “screw legibility, type should be beautiful” and what I understand of this is not to forget the rules, but to know and break them carefully.

In an era of pure eclecticism, we, the lovers of flourishes and swashes, can't do nothing but admire all the legacy that Lubalin, this wonderful type-guru, left.

My font Lubaline read as “the line of Lubalin” is my humble tribute to him. Those who know his work, may see the influences easily like in his ‘Beards’ (1976) and ‘The Sound of Music’ (1965) posters; the art-deco forms in many of his amazing logos and practically in all his creations where letters seem to be alive just like you and me.

I really hope that the future finds me still learning more and more about type-design and letterforms, and like him, always willing to make innovations in my field: Because letters are not just letters to be read.

La vie est une fleur dont l'amour est le miel

Fleur is the French for flower and I've chosen this language for a good reason.

Over the past 5 years, I've had the opportunity to travel a lot to Paris and I've always tried to catch every moment and detail of this delightful city through the eyes of the designer inside me.

Paris is full of surprises, mainly for us, artists. In fact, I believe the city is a museum itself. Every corner of any street has something inspiring.

But, there’s something I particularly love and I want to address here: The Palais Garnier. Built between 1861 and 1875, this opera house is a dream made true for many of us, who love somptuosité. Garnier, the architect of this magnificent building, said that the style he proposed was not Grecian nor Roman/baroque, he created something new and called it Napoleonic: Luxurious at its best.

or

Fleur is inspired in this palace which, in fact, has some similar letters inside. Garnier put his name at the ceiling of the Rotonde des Abonnés: Letters are interlacing each other with nicely done art nouveau curves. I thought I could take this idea and achieve something very delicate and imposing at the same time if the font consisted entirely of caps with the logic of a didone and a bit of art-nouveau.

This mix of elegance and flamboyance gave birth to Fleur which has a wide range of uses but was mainly intended for perfumes, fashion magazines, storefronts, book covers or logos.

Not only you'll find many decorative glyphs, but also a vast amount of unique ligatures will make you really adore this font.

Get Fleur and profite de la vie.

TECHNICAL

As suggested above, the font has many open-type coded alternates and a vast amount of unique ligatures. Install the font in applications that support them, like Adobe Illustrator or Photoshop.

Breathe Neue is not just an update of my renowned Breathe of 2010, this is something else...

Many times I find myself looking for inspiration in my previous creations. The original Breathe has something on its essence: Something that almost 10 years later still caught my attention. Like its name suggests, letters seem to be breathing, moving, alive. Many years passed so I asked myself if there was still something I could do for it, something to get the most of that beautiful essence... Suddenly, I was already working on its curves: Many new loops, more polished, more refined. Also the proportion and spacing were altered to embellish the font.

Breathe Neue’s swashes are addictive. I couldn't find another word. Irresistible? Maybe. Once you see some of its loops you want to see more. I believe this might be due to its very geometrical feel, which match well with the bodonian curves of the font.

See also how well it works with Breathe Caps. And what if you combine them with Breathe Special? wow.

I'm still young (yeah, sure) and I believe there're still many years ahead to enjoy this great profession, and to make many new (and astonishing, I hope) fonts. But I also think, it’s time to pamper my first creations. They deserve the best treatment, after all, they were once a success!

This is what I did with my lovely Breathe. I hope you like it.

The overall impression that the font gives is lightness and delicateness; that’s the reason the designer chose to call it Aire, or Air, in English. "Aire was somehow having a rest from my fat face Reina [...] It started as a really thin style of Reina, but it rapidly migrated from it and grew up alone. And how it grew..."
The inspiration came from his own past creations: “The heavy strokes of Reina were shouting for a more delicate thing. Something more feminine. More fragile. Something which had a lot of elegance and fresh air inside”.
Aire responds to this: Sproviero found that many of the typefaces of nowadays which are used for headlines (best known as display fonts) have almost always just one, maybe two weight styles. This was his opportunity to try something new. Aire makes it easier for the user to generate different levels/layers of communication thanks to its variety of styles. With this font you can solve entire decorative pieces of design with just one font, and that was the aim of it.
Aire was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results.
On March of 2012, Aire was chosen to be part of the most important exhibition of typography in Latinoamerica: Tipos Latinos 2012.

TECHNICAL
Aire is a family with many members. In total, the user can choose between almost 6,000 (!) glyphs (1,000 per style). Each member has variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Every decorative glyph has its weight adjusted to the style it belongs to.
Exclusively for decoration, Aire Fleurons Pro is an open-type programmed set of ornaments.
And last but not least, remember Aire is delicate. What’s my point? It is not recommended to activate all the alternates at the same time. It is typo-scientifically proved: A maximum of 3 or 4 alternates per word would be more than enough.

Introducing Travel! A bold new font that stands head and shoulders above the rest! Let it take you on a trip around the world and help your designers becomes rounded travelers.

What's Included

If you have any queries, questions or issues please don't hesitate to contact us direct.

Lollapalooza is here! But it’s not a festival in Chicago, it’s a wonderful new font! In fact, it’s a font trio and you can combine the small, medium and large versions together to create a unique and quirky new style!

What's Included

If you have any queries, questions or issues please don't hesitate to contact us direct.

Introducing the new Wild & Folk Serif font from Salt and Pepper Designs. Classy and elegant, this font was inspired by and created for a love of using classic styles in modern settings.

What's Included

If you have any queries, questions or issues please don't hesitate to contact us direct.

Here it is, the brush font you’ve all been waiting for - The Wildflower! Hand painted to ensure uniqueness and a natural flow, we love how effortlessly cool this new font turned out!

What's Included

If you have any queries, questions or issues please don't hesitate to contact us direct.

Check out our new fandangled, Dingle Dangle font duo! Not only do you get the chunky and fun Dingle included but you get the thinner and classy Dangle too! A perfect duo that pair well together and with others. Enjoy!

What's Included

If you have any queries, questions or issues please don't hesitate to contact us direct.