Bella Belyakova

Oscar Niemeyer is one of the greatest architects of our time—his unique way of mixing straight lines and abstract curves gives rise to an unmistakable and characteristic style.

This typeface is my own tribute to Brazilian architect Oscar Niemeyer. The design process started when my wife and I visited Brazil while she was running a series of workshops on calligraphy. In my spare time, I would walk through the streets of beautiful cities like Rio de Janeiro or São Paulo, enjoying the local architecture and urban life. I had also the opportunity to attend to some of the workshops during which I was able to observe the organic of calligraphy and people. Then, I started to draw some shapes that reflected everything about this beautiful place: Niemeyer’s architecture and work and, in his own words ‘the curves on the body of the beloved woman’.

This versatile typeface comes in 8 weights with matching italics, alternative characters, oldstyle figures and much more! Niemeyer is well-suited for logotypes, advertising, publishing, branding and corporate use.

Special thanks to everyone in the Latinotype Team (especially to César Araya) for their support, help with corrections and digital editing.

Antonietta is Mauricio Astete Brito's first typeface, which is inspired by the eccentricity of the rococo style and Queen Marie Antoinette's wild personality.
This project, supervised by Latinotype Team, was born from the idea of turning lettering into a digital typeface.
Antonietta is based on the Copperplate style and inspired by the works of, among others, Hermann Zapf, Ricardo Rousselot and Herb Lubalin.

The font comes in the following variants: Antonietta Script, Antonietta Caps, Antonietta Caps Illuminated, Antonietta Caps Shadow, Antonietta Caps Inline and Antonietta Ornaments.

Antonietta Script is characterised by a big x-height, condensed proportions, and short ascenders and descenders, which can be modified by using the contextual alternates included in the set.
Antonietta Caps, a companion font to the Script, is an all-caps typeface with rational structure and high contrast between thin and thick strokes.

Antonietta is a 7-weight typeface well-suited for logotypes, labelling, headlines and short text.
The Script variant contains a set of 878 characters that provide a wide range of contextual alternates to fit any project.
The typeface also comes with an 'Ornaments' variant, which includes dingbats, borders and catchwords that complement the rest of the fonts.

Just like Grandma’s recipe, Recoleta combines a variety of ingredients—from various popular 1970s typefaces—such as the soft and gentle shapes found in Cooper or the fluid, angled strokes in Windsor— mixed into one single design that features familiar, yet fresh, modern flavors.
Its variety of weights provide a range of choices that will help you find the best typographic color for your project.
Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines.
The available stylistic alternates offer a number of different characters that give your logo or business card a unique look.

Jazmín is inspired by "Globe Gothic" design yet features different proportions, curves, serif shapes and contrast, which give it a classy, playful and a more contemporary look.
The family comes in two versions: an elegant font of 8 weights-ranging from Thin to Black-with matching italics, and an alternate, more playful counterpart with the same number of weights and italics.
The whole Jazmín set contains 566 characters which support over 200 Latin-based languages.
Jazmín is ideal for magazines, short text, logos, branding design, packaging and advertising.

Designed by Enrique Hernández V.

Isidora is a modern geometric design based on the classic typefaces of the early 20th Century with a contemporary and functional touch. In spite of its strong and rational structure, the font also looks friendly and expressive, thanks to its rounded terminals. In addition, its diagonal terminal cuts give it a softer and more rounded appearance.

Isidora consists of two 7-weight subfamilies: one (more classic) Regular and one Alternative (more contemporary and for display use). Both subfamilies come in italic version, giving a total of 28 fonts.

Isidora is the perfect font for headlines, logotypes, branding, packaging, publishing and web use. The family contains a set of 438 characters—supporting 207 different languages—and also includes an alternative character set, which allows for more versatility when composing text.

Goldplay is based on Isidora Sans design yet features rounded shapes.
Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv.
One of its key features is a large x-height which make it look elegant and classy.
Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts.
The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design.
The Alt semi-serif display version—more expressive and modern—is ideal for logotypes, branding, packaging, and use on web and Tv.
Goldplay contains a set of 540 characters that support over 200 Latin-based languages.

Breton is a geometric slab serif typeface inspired by Boston.

Breton has a strong personality and it is an ideal face for headings and branding design. Its most noticeable characteristic is a great difference of proportions between rounded characters (like "o", "c" or "e") and non-rounded ones (like "n", "m" or "z"). By combining them, you will be able to give your compositions a very unique rhythm.

Each font style comprises 417 characters, which support more than 200 Latin-based languages, as you would expect from Latinotype fonts.

Breton comes in 10 styles, from Hair to Black, and includes matching italics.

Breton was designed by Daniel Hernández and Rodrigo Fuenzalida.

Branding Super Family is an extension of the Branding project, including new variables that cater to a wide array of requirements, still maintaining its essence. It is a super family for modern needs!

Additional to its particular design, different widths are included: now Branding Ultra Condensed is a reality. The project also considers a variety of alternate characters, making Branding Super Family a great tool for graphic designers and art directors. It is ideal for use in logotypes, isotypes, short texts, and others.

Branding Super Family is a Sans Serif spurless font with medium-large x-height, straight curves and convex terminals. It has 7 weights and 4 widths that vary from thin to black, and from ultra condensed to medium, each with their matching italics. It also includes a set of 544 characters supporting 128 languages. OpenType characteristics include European accents, old style numbers and 4 sets of alternates.

Biennale is a geometric typeface with a strong character and a large x-height which make it an excellent choice for a wide range of applications, such as headlines or branding.

Although common in style, Biennale distinctive details and color on the page allow users to create really unique designs. The font comes in 11 weights, from Hair to Heavy, and includes matching italics.

As you would expect from Latinotype, this typeface comes with a standard set of 417 characters that support over 200 Latin-based languages.